
GPS flight tracking screen shot
Day 2; January 24, 2009; in flight from Amsterdam to Cape Town
The plane arrived almost an hour early to Amsterdam, due to the 115 mph tail wind, which was fortunate because my scheduled layover was hardly sufficient to grab a quick bite to eat and reach my connecting flight in time. This is the third time in the last two months that I have been through this airport, and my hope was to find the little gourmet bakery I had enjoyed last time before having to endure the dreaded airplane food, which I would no doubt be subjected to on the very long flight to Cape Town.
Approaching my gate with coffee and breakfast in hand, I was stopped by the line, which reached quite far down the busy hall. After the wait to get to the front, another round of security, and then more waiting to board the plane, I was finally installed in my seat by the window. I was hoping to glimpse again the Sahara as we traversed the first half of Africa, and click a few shots with my new camera of this vast and spectacular desert.
When I flew to Africa at the end of October to visit Tanzania and Zambia, I was able to watch the Sahara for hours and hours. I could see miles and miles of undulating sand, the occasional dark rock mountain leaping up from the flatness, as well as a good bit of the Nile. I did get a few good photos on that flight, but with a camera that didn’t have a good zoom. Alas, today, the sky was too cloudy to see the landscape passing below, and so I used the 11 ½ hour flight instead to take several hundred catnaps in an attempt to catch up on some rest.
I arrived in Cape Town a bit disoriented from the long travel. After a bit of entertaining conversation with passport control, where I had to first explain what and where Antarctica is (a phenomenon that is becoming an almost daily occurrence) before I could explain what I would be doing on my sojourn in South Africa. My visa was still good from my last trip in November and so I was ushered in, quickly found my bags, and then headed outside to find Thomas Mulcaire, who was to meet me there.
Thomas is an internationally exhibiting artist from South Africa who resides in Brazil with his wife, who is also an artist. He is the co-founder and Principal Investigator of ITASC, and has been my contact. I first began my dialogue with Thomas just a month ago, and after quickly establishing the potential collaboration between our two projects, ITASC and The Polar Project, he invited me to join this expedition.
I am now an official member of the ITASC team, and am excited to join them in their ongoing collaborations between the worlds of art and science. ITASC stands for the Interpolar Transnational Art Science Constellation, and it is an official project of the International Polar Year 2007-2008 (IPY). ITASC is mainly supported by the South African National Antarctic Program and the South African National Energy Research Institute. It is rather incredible, and a personal honor, that as an American artist I would be so welcomed by the South African National Antarctic Program. While almost all the countries who have bases in Antarctica do have some sort of an “Artists’ Program,” almost none of them will collaborate with artists from other countries. I feel quite fortunate to have been invited.
ITASC describes itself as a “decentralized network of individuals and organizations working collaboratively in the fields of art, engineering, science and technology on the interdisciplinary development and tactical deployment of renewable energy, waste recycling systems, sustainable architecture and open-format, open-source media.”
Besides Thomas and myself, the team this year consists of Ntsikelelo Ntshingila, a.k.a. “First Born” (Swaziland/South Africa) is a musician who mainly creates Hip-Hop and R&B tracks and who has produced 2 albums in Antarctica. Ntsikelelo is already at the base in Antarctica, having gone down with the ITASC container on the research vessel that departed for Antarctica on December 23, 2008. Lötter Kock (South Africa) is a research physicist and is this year’s Base Commander in Antarctica for both ITASC & SANAE. Also joining for the first two weeks of the journey is Alfons Hug (Germany/ Brazil) who is a curator, critic and exhibition organizer, and the Director of the Goethe-Institute in Rio de Janeiro.
This year’s expedition is the third ITASC expedition to Antarctica, and is codenamed ITASC: FIRE (Field Installation and Research Expedition). It follows the first expedition ITASC RECE (Reconnaissance and Communication Expedition) in 2006/2007 during which they installed the solar and wind powered GROUNDHOG Automatic Weather Station. This system provides weather data in order to predict the conditions we will operate in.
In 2007/2008 the second expedition, codenamed ITASC SITE (Systems Installation and Testing Expedition) installed their UMTHOMBO WOMLILO solar and wind powered sled at the GROUNDHOG site to test the feasibility of producing sufficient electrical power and water for a hypothetical crew of 6 using photovoltaic panels and wind turbines. Water and power are essential for the safety and comfort of the crew in remote environments. The UMTHOMBO WOMLILO unit produces 2.5kw of energy, enough to run a small suburban house. UMTHOMBO WOMLILO is a Zulu phrase meaning “Well of Fire”.
This expedition that we are now embarking on, ITASC FIRE, will install and test the prototype mobile ITASC IPY base called ICEPAC (ITASC Catabatic Experimental Platform for Antarctic Culture). It is designed to provide the basic living and working systems to support a crew of up to 6 artists, scientists and engineers in the field for up to 6 weeks. In addition to installing and running ICEPAC, the ITASC crew will also use any excess energy generated by the UMTHOMBO WOMLILO unit to try to melt a CATABATIC CELL, which is a habitable void beneath the ice using heating elements which apparently look a little bit like stainless steel light sabers.
The idea is to use solar and wind power to create a livable space, which does not require any other architectural support, thereby creating a mobile and transitory shelter in the ice, which will be returned to its original condition by the natural forces of Antarctica after we have left. ICEPAC and the CATABATIC CELL were designed and produced in collaboration with Pol Taylor of ARQZE (Arqitecturas por Zonas Extremas) in Valparaiso, Chile, who also produced the Chilean remote filed station EPTAP, at Patriot Hills (80 degrees south).
Thomas greeted me with a warm hello and a big hug, and given the adventure that is before me, I am relieved to find we are already friends. He dropped me at a lovely Bed and Breakfast in the heart of town, where I was led to a beautiful room off the main garden. I ordered a Rooibos tea from the night guard, and had a comforting moment of solitude, drinking hot tea in my comfy bed while listening to the sounds of the surrounding city. It is always such an interesting experience to arrive in a foreign city at night, where you must rely on the deeper senses in order to gain an understanding of the place. I hardly had time to consider these thoughts in any depth before I was already fast asleep.
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